Lisa is not open to unsolicited submissions but throughout the year, she holds periodic open calls which are posted on her website here. She accepts submissions pitched at writers conferences. Please submit per the instructions and email address given to you when you pitched her. She also accepts submissions requested during Twitter pitch parties and online query contests. If she has requested your submission, please submit here.
Lisa Abellera joined Kimberley Cameron and Associates in 2013 with a background in management, marketing, and finance. She has studied creative writing, design and business, earning her B.A. in Strategic Management from Dominican University of CA and her M.F.A. in Creative Writing from University of San Francisco.
Lisa had a successful career in the corporate world before joining the world of publishing. After editorial internships with an independent press and Kimberley Cameron & Associates, she now follows her true passion for books and writing. She leverages her business and marketing expertise to help authors navigate the complexities of publishing. She is excited to develop talented authors and help advance their careers. She is looking to form long-term, collaborative relationships with writers who are committed to putting forth their best work.
Lisa responds to well-crafted prose with strong hooks and high personal stakes, to idiosyncratic, sympathetic characters, to a tangible sense of place, to multicultural aspects and international settings, to page-turning twists, and to emotionally immersive fiction that explores the human condition, especially within family and close relationships.
She is seeking to represent upmarket fiction, women's fiction, historical fiction, mystery/suspense/thrillers (especially if it has a dose of science or the supernatural), science fiction, fantasy, most speculative fiction except for paranormal fantasy (no demons, angels, vampires, zombies, werewolves, etc.), romance if it's an element or part of another genre, NA, YA and middle grade.
Lisa does not represent nonfiction (this includes memoir), short story or poetry collections, picture books, early readers, chapter books, screenplays or other works of drama, nor does she represent self-published books.